Or: Why historical anachronisms in genre cinema are fine and good, actually.

How 2024’s A Real Pain examines what it means to be an outsider looking in at pain, anguish and struggling, and what it takes to reach out further than you thought you could.

How ZA/UM’s 2019 masterpiece explores revolution, abandonment and how to be a person… again.

Or: How I learned to stop worrying and love the journal.

By never straying from the perspective of its subject, Oppenheimer asks us to judge The Father Of The Atom with our knowledge of everything he refused to face.